TravelswithCharie

The emergence of Baroque art in the 17 th c (1600 – 1700) was driven in part by the Protestant Reformation. The Catholic Church responded to the Reformation movement by propagating Baroque art with its flamboyance and theatricality, in order to engage the faithful through religious art and architecture and bring back erring believers to the Church. The Cornaro Chapel is inside the Church of Santa Maria della Vittora in Rome. Here is Baroque art at its finest. St. Teresa of Ávila, a nun from the 16 th century, is seen with an angel who has pierced her heart. Rays of light emanate from the heavens to illuminate the scene. On the side walls of the altar are theatre boxes where spectators (modeled by the Cornaro family) are watching the scene unfolding in front of them. St. Teresa is experiencing an intense spiritual vision that leaves her “utterly consumed by the great love of God”. Here is St. Teresa’s account of her vision: “ It was our Lord's will that in th

"Every block of stone has a statue inside it and it is the job of the sculptor to discover it." Michaelangelo Buonarotti Moses - Church of St. Peter in Vincoli The statue of Moses at the basilica of San Pietro in Vincoli was to have been part of a grandiose monument and tomb for Pope Julius II, a patron of Michelangelo Buonarotti. But this same pope pulled Michelangelo to paint the ceiling of the Sistine Chapel (1508-1512), a project that lasted four years. Not surprisingly, the scaled down version of the tomb was not completed until 1515. At eight feet in height, Moses is an all powerful figure, his muscles bulging from his arms and legs and transparent through the folds of his gown. He has a crown of horns symbolizing the “ray of light”, a misinterpretation of the Hebrew word karan which may also refer to horn depending on how it is read. Pieta The Pieta in the Basilica of St. Peter's was once the object of a madman who hammered away at Mary

I spied this courtyard filled with antique statues on my way to Santa Susanna. It would have been lovely to take Venus or one of the busts home with me to adorn my ho-hum garden. How many interesting conversations it would have started! But I console myself that I didn't have to pay extra for excess baggage. These two turbaned gentlemen in orange robes sit here all day in perfect balance across from the Pantheon. One man holds the stick on which the second sits in mid air. Total concentration and control are needed to maintain this stance. Most importantly, how can they keep cool in the scorching summer heat? They must be thinking about winter! Yes, it's a pedal car but not for a child. I wonder if all the knock off bags and scarves hanging from the rack will be packed away in the back of this motorized tricycle? A smart car indeed! A piece of wall, a reminder of Rome's storied past, preserved in the center of the city and just down the stre

In mid afternoon, the Colosseum is tinged in chalky white. At sunset, the Colosseum is baked in shades of sienna.  The exposed inner rim was pockmarked by medieval robbers in search of iron clamps.   My favorite view of the Colosseum is from the Via Sacra where ancient columns provide a linear frame to the elliptical curve of the Colosseum's walls. Past events in this ancient amphitheater are put to bed in the dark shadows of night. If only walls could talk, what a fright they would tell! An excerpt from Lord Byron's Childe Harold's Pilgrimage, Canto the Fourth, (1818): A Ruin — yet what Ruin! from its mass Walls — palaces — half-cities, have been reared; Yet oft the enormous skeleton ye pass, And marvel where the spoil could have appeared. Hath it indeed been plundered, or but cleared? Alas! developed, opens the decay, When the colossal fabric's form is neared: It will not bear the brightness of the day, Which streams to

Pope Francis I - June 2013 One of our main reasons for visiting Rome was to see the new Pope. There are several ways to see the Vicar of Christ at the Vatican . Two of these are during the Sunday Angelus at noon and the Wednesday general audience at 10:30 a.m. both on St. Peter’s Square. Of the two, the best close-up view of the Pope would be at the Wednesday audience as the Pope circles the square in his popemobile before the hour-long acknowledgements and homily. On Sundays, when he is in residence, he blesses the crowd in attendance from the balcony above the entrance to the Basilica (predecessors of Pope Francis I blessed the faithful from the papal apartment window). It is necessary to get tickets for the Wednesday audience but not for the Sunday Angelus. These tickets are free and may be requested from the Pontifical North American College or from the Church of Santa Susanna in Rome . Tickets are picked up the day before the audience or on Tuesdays from the location

Mercato di San Lorenzo Thank goodness for long days of summer. We made the most of our 24-hour visit to Firenze. After a nice lunch at Trattoria Dante (which is big on ambiance), we took the bus to San Lorenzo where we browsed the outdoor stalls for decent bargains to take home as presents for family and friends. My cousin was particularly interested in finding a good leather jacket. We arrived at the market just before their fold-up time of 7 p.m. and the bargaining was intense. In the end, I bought four lacy scarves, left the leather bags alone and walked happily away. My cousin found the jacket he wanted the following day. Shopping done, we strolled to the Duomo and Baptistery of San Giovanni for art history lessons. My favorite Florentine story is about the competition for the crafting of the bronze doors of the Baptistery. Both Ghiberti and Brunelleschi submitted their quatrefoil panels of the Sacrifice of Isaac. Ghiberti won and was awarded the commission to sculpt the

   View of Lugano, Cassarate, Castagnola and Monte Bré Lugano is definitely one of my favorite places in the world. On my first visit to this lakeside beauty many moons ago, I walked everyday along the lake from Paradiso where I was staying to Piazza della Riforma to have lunch at one of the cafés or restaurants in the city center. On the way back to my hotel, I'd stop by the Church of Santa Maria degli Angioli on Piazza Luini to marvel at the 16th century fresco of the Crucifixion by Bernardino Luini, a follower of Leonardo da Vinci.  The Passion and Crucifixion of Jesus Christ In the same nondescript Church of Santa Maria is a painting of the Last Supper which is also attributed to Luini. Whether you're facing the altar or the main door of the Church, you are blessed with a visual treat, one man made, the other, by a divine hand. The Church door opens to Lake Lugano. If I were staying in Lugano for a few days, I would have stocked my hotel refriger