Skip to main content

Beautiful Bali

Batu Bolong
As our Combi van coughed its way up to Kintamani on the northern side of the island, the sky suddenly gave way to torrential rain quickly inundating the narrow mountain road.  The Combi sputtered then died.  Our driver started and restarted the engine in vain while our guide tried to reassure us that this rain would be short-lived as they always are in this part of the world.  The heavy downpour was now threatening to carry our van downhill with it.  Speeding vehicles were passing us, splashing muddy water on our van as they sped away.  After what seemed like an eternity, the engine sprang back to life and we slowly edged our way to Penelokan for lunch and front center row view of Gunung Batur (Mt. Batur) volcano and Lake Batur.  We sat impatiently through lunch waiting for the veil of mist that shrouded the volcano to lift.  A faint hint of sunlight and we finally caught a glimpse of Mt. Batur with its perforated peak surrounded by the lush valley floor and lake. All that rain has showered this area with luxuriant flora, so characteristic of Bali.

Picture postcard views like this are commonplace in Bali.  Images of green terraced hillsides, temples great and small, arresting roadside craft shops, and uncrowded white sand beaches are but a few of the reasons why visitors are returning to the island after the senseless bombings in 2002 that killed so many people.  In Kuta where the horrifying explosions occurred, a Hindu shrine stands unharmed by the tragedy while the surrounding area has been razed to the ground.  Rather than be angry for the desecration of their peaceful island, the Balinese gathered in prayer for those who perished.  Today, there is a memorial of flags representing the countries whose citizens lost their lives in the bombings.  Local businesses are struggling back from the economic hardship posed by the loss of visitors.

Prayer is intrinsic in Balinese culture which is deeply rooted in the Hindu religion.  The 
pura or temple is an important institution in the daily life of the people.  This is where they worship, celebrate life and send their dead to the afterlife.  Every village has at least three temples, each dedicated to one of the Hindu Trinity - Vishnu, the Preserver of Life, Brahma who is the Creator and Shiva, the Destroyer.

With thousands of temples in Bali, it is difficult to decide which ones to visit during a short stay.  But Pura Tanah Lot
 has arguably the most dramatic setting.  It is perched on top of a rocky promontory in southwestern Bali.  It is practically floating on the sea at high tide.  Tanah Lot means earth and sea, quite apropos given its location.  It is possible to walk to the islet during low tide and climb up to the temple.  Also at Tanah Lot is Batu Bolong,  a rocky outcrop straddling land and sea, like a protective arm cradling a cozy beach.  It has an arched opening carved by the ocean over time.  Several shrines sit on the edge of the rock.

We happened to visit during their New Year festival.  This celebration takes place more frequently when the Pawukon Balinese calendar system is employed.  (A Pawukon year has 210 days.) It was a lively scene with colorful streamers moving gently in the breeze.  Men garbed in white shirt and pants and white turban called "udeng" were praying underneath one of the tents.  Women arrived with their offerings 
balanced on their head.  They wore a sarong tied with a sash, required for all women (including visitors) who enter the temple.  A whiff of incense burning and gamelan music playing in the background further heightened the heady and exotic ambience.

There are many deities in the Hindu religion. The Pura Ulun Danu
 in Bratan is a temple dedicated to Dewi Danu, the goddess of the waters and source of fertility.  It has a lakeside setting with Mt. Batur in the distance as its backdrop.  It is often cloaked in mist lending it an ethereal appearance.  Within the temple grounds are fine examples of meru
, a multi-tiered black thatched pagoda. Merus have an odd number of roofs up to a maximum of eleven.  The royal temple of Taman Ayun in Mengwi has an impressive line up of merus in its inner courtyard.  Together they constitute the "skyscrapers" of the village.

Everyday we discovered palm leaf trays of offerings to the gods in the most unexpected places in Bali.  Some contained flowers and betel, others fruit and rice flour cookies, and during the festival, we saw more elaborate offerings, all of them attractively arranged.  No matter the content of these offerings, the Balinese are always trying to please their gods and their ancestors.  This is why Bali and its people are blessed with beauty and serenity.


*This travel article has been recreated and republished here since the old link is no longer accessible.

*****

Images by TravelswithCharie

Popular posts from this blog

Brașov was once called Stalin City

White Tower Brașov is a city nestled in the Carpathian Mountains in Transylvania. Remnants of its medieval fortifications and bastions are added attractions to this buzzing city. The White Tower along with the Black Tower are two of the remaining watchtowers still visible today. During the Communist period,  Brașov  was called Orasul Stalin or Stalin City after the Soviet leader, Joseph Stalin. Black Church This is such a storied Gothic church which was originally the Catholic Church of St. Mary before it was converted to a Lutheran Church. It was believed to have been affected by fire in 1689 which blackened its exterior walls and roof. But a new 21st century study reveals that this wasn’t the case at all. The only reason for its blackened state according to the study is environmental pollution caused by the industrialization of Brasov in the 19th century. The walls have since been cleaned but there are traces of black spots on the roof.  Republicii Street This long pede...

The Gold of Ancestors: Pre-Colonial Philippine Treasures

Openwork basket, Surigao, 10th-13th century What a wonderful surprise this exhibition is! These gold objects, about a thousand of them, add a rich layer to Philippine history. This collection which was found in various sites in the Philippines, date back to the 10th-13th centuries. It demonstrates the well developed culture of pre colonial Philippines which the Spaniard, Antonio Pigafetta, recorded in 1521 when Ferdinand Magellan landed in the islands. A thriving interchange between the Philippines and its Asian neighbors existed prior to the arrival of Magellan as attested by some of these gold accouterments which show for example, images from Hindu mythology. The motifs and curvilinear ornamentation of the openwork basket (shown above) intimate Chinese designs found in their ceramics and textiles.  Torso ornament, 10th-13th century Weighing four kilos of gold, this sash is worn across the chest similar to the  upavita (sacred thread)  style in Hindu culture. This sash w...

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...