TravelswithCharie

Lino F. Villarruz Lino F. Villarruz graduated with a degree in Fine Arts from the University of Santo Tomas. He is a founding member of the Arts Association of Capiz (formerly Capiz Arts Council) which he served as its Visual Arts Director in 1995. Mr. Villarruz  has received numerous art awards throughout his career including the Capiznon Artist Award. He comes from a musical family and was a guitarist for the band he formed with his brothers when he was in his teens. He lives in Roxas City with his wife and children. How did you come to realize you wanted to be a painter? Lino: I liked drawing and found I was good at it during high school so it was easy for me to decide to study Fine Arts in college. Who were the artists who influenced you the most? Lino: The artists I admired most and who influenced my work were Vicente Manansala, Carlos "Botong" Francisco, Mauro "Malang" Santos and Pablo Picasso. How would you describe your artistic style? Lino: My style of pain

In 1966, Marc Chagall donated the group of paintings collectively known as “Biblical Message” to the French State. These paintings were exhibited at the Louvre and became the inspiration for the Musée National Marc Chagall in Nice which was inaugurated in 1973 and attended by the artist himself. This biblical series of 17 large scale paintings form the core of the exhibition. 250 works were initially donated by Chagall. Aside from the paintings, there are sculptures, bas reliefs, a ceramic piece, lithographs and copies of his illustrated books. A mosaic wall called, The Prophet Elijah,  presides in the courtyard. Every Chagall painting has more than one story to tell. I learned to watch for the little vignettes scattered throughout his canvases so I wouldn’t miss the rich narratives that define his works. The Creation of Man, 1956-58 An angel carries Adam from the ocean where animals thrived prior to the creation of man. The rays of a swirling sun evoke the artistic style of

In 1968, then Mayor of Manila, Antonio Villegas, commissioned Carlos "Botong" Francisco to paint the history of Manila for Manila City Hall. The series of large scale paintings was called  Kasaysayan ng Maynila  (History of Manila).  The paintings deteriorated over time and no attempt was made to preserve these historical canvases until 2013 when Mayor Amado Lim sent them to the National Museum for extensive restoration. Four years later, in 2017, Mayor Joseph Ejercito Estrada and the Manila City Council signed an agreement with the National Museum to leave the paintings at the museum so they may reach a larger audience in exchange for museum grade reproductions to replace the originals. Kasaysayan ng Maynila was later renamed Filipino Struggles in History and is now on display at the Senate Hall of the National Museum . Carlos "Botong" Francisco died in March 1969, a few months after completing the paintings. He is one of the first Filipino modernists and

A Repentant St. Peter c. 1600 Domenikos Theotokópoulos or El Greco was born in Crete in 1541. He moved to Toledo in 1577 after years of apprenticeship in Venice and Rome. El Greco's paintings have raised many questions as to why his subjects are elongated. Some theorists believe this is a result of an impaired vision. Others advanced that El Greco was merely using his own painting fundamentals to create what he envisioned as natural beauty. Nonetheless, El Greco left an enduring body of works. Many of the paintings on view at the Museo del Greco belong to the later period in his career including the Apostolate series. He died in Toledo in 1614. In the painting above, a repentant St. Peter is portrayed with tears in his eyes. St. Peter is begging for forgiveness after denying Jesus Christ three times.  The theme of repentance was common in the late 16th century.  St. James the Greater (Zebedee) Oil on canvas, 1608-1604 "It is only after years of str