TravelswithCharie

Komunidad, 2026* Perhaps no other artist in Capiz has dedicated as much of his craft to the local coastal community as has Jonard Villarde. As a preschooler, he was curious about paints which developed into dabbling with wall drawings, notebook scketches and poster making for school competitions. This interest in art continued through high school where he explored other mediums and handicrafts as part of school projects in technology and livelihood economics. When he entered Capiz State University, he decided to pursue a degree in Secondary Education with a major in Architectural Drafting. Today, he teaches art and industrial education as a public school teacher. Villarde is not only an educator. He is also a multidisciplinary artist and nature enthusiast.  His works cover a range of mediums including murals, sculpture, drawings and  paintings on various surfaces including canvas, wood and paper. Villarde has previously exhibited his works at Viva ExCon 2018, Panagbo: Encounte...

The Evolution of Philippine Culture The story of The Evolution of Philippine Culture began in 1957 when the Fleur de Lis Auditorium at St. Paul University Manila was under construction. Jose L. Reynoso, the architect of the Fleur de Lis, asked his townmate, Carlos “Botong” Francisco, to paint a mural which he envisioned as the focal point of the auditorium’s lobby. The 3.5 meters by 4.5 meters mural was fitted between two pilasters and it is the first thing a theatergoer would see as they enter the foyer from the main portal. The theme, The Evolution of Philippine Culture, was carefully considered to complement the purpose of the Fleur de Lis, that is, to bring to the stage noteworthy musicals and concerts which have since earned the theater the name, “Broadway of Herran”. (Herran was the former name of Pedro Gil Street.) The central figure is that of a muscular Filipino who is intensely beating the drum. The sound is almost palpable. Above him is a Caucasian woman whose head is caugh...

I Believe in God, 1948, oil on masonite  One of the group of Thirteen Moderns and Neo Realists, Vicente Silva Manansala had the good fortune to study art in Canada, the United States, France and Switzerland through a number of grants he received from UNESCO, the French government and the U.S. State Department. He studied at the Ecole de Beaux Arts in 1950 under the mentorship of Fernand Léger, a renowned French artist and exponent of cubism. Manansala’s early works were influenced by Fernando Amorsolo whose paintings celebrated Philippine landscapes and local culture. Manansala’s oeuvres portray the working class like the fish and candle vendors, the man with the rooster, or the family praying together (above image). I believe in God is a painting completed by Manansala before he dabbled into cubism. The figures and forms are solid depictions of farmers in the rural landscape. Procession, 1948, oil on canvas 1948 was three years after the second world war. The Philippines was qui...

Lino F. Villarruz Lino F. Villarruz graduated with a degree in Fine Arts from the University of Santo Tomas. He is a founding member of the Arts Association of Capiz (formerly Capiz Arts Council) which he served as its Visual Arts Director in 1995. Mr. Villarruz  has received numerous art awards throughout his career including the Capiznon Artist Award. He comes from a musical family and was a guitarist for the band he formed with his brothers when he was in his teens. He lives in Roxas City with his wife and children. How did you come to realize you wanted to be a painter? Lino: I liked drawing and found I was good at it during high school so it was easy for me to decide to study Fine Arts in college. Who were the artists who influenced you the most? Lino: The artists I admired most and who influenced my work were Vicente Manansala, Carlos "Botong" Francisco, Mauro "Malang" Santos and Pablo Picasso. How would you describe your artistic style? Lino: My style of pain...

In 1966, Marc Chagall donated the group of paintings collectively known as “Biblical Message” to the French State. These paintings were exhibited at the Louvre and became the inspiration for the Musée National Marc Chagall in Nice which was inaugurated in 1973 and attended by the artist himself. This biblical series of 17 large scale paintings form the core of the exhibition. 250 works were initially donated by Chagall. Aside from the paintings, there are sculptures, bas reliefs, a ceramic piece, lithographs and copies of his illustrated books. A mosaic wall called, The Prophet Elijah,  presides in the courtyard. Every Chagall painting has more than one story to tell. I learned to watch for the little vignettes scattered throughout his canvases so I wouldn’t miss the rich narratives that define his works. The Creation of Man, 1956-58 An angel carries Adam from the ocean where animals thrived prior to the creation of man. The rays of a swirling sun evoke the artistic style...