Skip to main content

Masaganang Ani by Vicente Silva Manansala

Masaganang Ani (Bountiful Harvest), oil on canvas, 1962
The International Rice Institute of the Philippines (IRRI) was founded in the Philippines in 1960 by the Ford and Rockefeller foundations with the support of the Philippines government. The goal of IRRI is “to improve livelihoods, abolish poverty, hunger and malnutrition among those who depend on rice based agri-food systems”. Their headquarters is in Los Baños, Laguna.

These two Manansala large scale paintings were commissioned by IRRI in 1962 to depict Filipino life, labor and leisure activities. The paintings were hung on the walls of the dining room and cafeteria at its headquarters. These weren’t ideal places to hang the canvasses because the smoke from the kitchen and the cleaning solutions used by the staff threatened the paintings. They are now on loan to the National Museum of the Philippines which declared these two masterpieces as National Cultural Treasures.

In Masaganang Ani, Manansala chose themes celebrating the Philippine rural landscape. On the right are farmers harvesting rice, a way of paying tribute to the work of IRRI. There is also the head of a carabao occupying a prominent space above the farmers. The carabao is the workhorse of the rice fields. On the left side are fishermen hauling in their catch from Laguna de Bay (perhaps) and in the center is a mother bathing her child with the local church in the background. This painting is a poster child for Laguna where IRRI is located.

Study for Masaganang Ani, watercolor on paper, 1962

Harvesting palay, detail

Mother bathing child, detail

Fishermen hauling in catch, detail

This second painting is a joyous portrayal of a fiesta in the countryside. There is a cockfight in the center, a carabao race on the right and the game of sipa (kickball) on the left with local folk enjoying the festivities.

Study for second IRRI painting, watercolor on paper, 1962

Carabao race, detail

Cockfight, detail

Sipa, detail
Vicente Manansala was posthumously awarded National Artist of the Philippines for painting in 1981. If you would like to learn more about Manansala and his works, please check these links:

Where to go to see the paintings:
National Museum of Fine Arts of the Philippines
Padre Burgos Avenue, Rizal Park, Manila
nationalmuseum.gov.ph
Entrance to the museum is free.

Stay connected

*****

Images by TravelswithCharie 



Popular posts from this blog

Brașov was once called Stalin City

White Tower Brașov is a city nestled in the Carpathian Mountains in Transylvania. Remnants of its medieval fortifications and bastions are added attractions to this buzzing city. The White Tower along with the Black Tower are two of the remaining watchtowers still visible today. During the Communist period,  Brașov  was called Orasul Stalin or Stalin City after the Soviet leader, Joseph Stalin. Black Church This is such a storied Gothic church which was originally the Catholic Church of St. Mary before it was converted to a Lutheran Church. It was believed to have been affected by fire in 1689 which blackened its exterior walls and roof. But a new 21st century study reveals that this wasn’t the case at all. The only reason for its blackened state according to the study is environmental pollution caused by the industrialization of Brasov in the 19th century. The walls have since been cleaned but there are traces of black spots on the roof.  Republicii Street This long pede...

The Gold of Ancestors: Pre-Colonial Philippine Treasures

Openwork basket, Surigao, 10th-13th century What a wonderful surprise this exhibition is! These gold objects, about a thousand of them, add a rich layer to Philippine history. This collection which was found in various sites in the Philippines, date back to the 10th-13th centuries. It demonstrates the well developed culture of pre colonial Philippines which the Spaniard, Antonio Pigafetta, recorded in 1521 when Ferdinand Magellan landed in the islands. A thriving interchange between the Philippines and its Asian neighbors existed prior to the arrival of Magellan as attested by some of these gold accouterments which show for example, images from Hindu mythology. The motifs and curvilinear ornamentation of the openwork basket (shown above) intimate Chinese designs found in their ceramics and textiles.  Torso ornament, 10th-13th century Weighing four kilos of gold, this sash is worn across the chest similar to the  upavita (sacred thread)  style in Hindu culture. This sash w...

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...