TravelswithCharie

At the recently concluded exhibition, Les Nabis et Le Décor, decorative works by the Nabi group of artists including Maurice Denis, Bonnard, Vuillard, Sérusier, Ranson and Vallotton, were on display at the Musée Luxembourg in Paris. These works of art were intended for “contemporary interiors in reaction against the aesthetics of historical pastiche that were in vogue at the end of the 19th century”. The painting above, Arabesque Poétique ou L’Echelle dans le feuillage, is by Maurice Denis from 1892. This wool tapestry is entitled, La Baigneuse ou La Vague. It is the work of Aristide Maillol during the period 1896-1899. There are Japanese influences in the decorative works of the Nabis as shown on  this screen, Passage Vallonné by Marguerite Sérusier from 1910. The Japanese ukiyo-e style of painting with its simple forms, vibrant colors and decorative themes appealed to the Nabis. Most of these works were commissions by friends or patrons and themes about wo

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was