Skip to main content

ARTZUID 2025

Der Vogel (bird), Armando, 2012, bronze
ARTZUID, the Amsterdam Sculpture Biennale is celebrating its 9th season. I’ve been lucky to have attended the last three outdoor exhibitions in 2021, 2023 and now, 2025. The sculptures are on display in Amsterdam Zuid particularly in the neighborhoods of Apollolaan and Minervalaan where towering trees form the backdrop for the seventy sculptural pieces by established international artists as well as Dutch artists. This year’s edition includes works by Jaume Plensa, Nelson Carrilho and Jean Marie Appriou. The sculptural pieces in the free outdoor exhibition are thought provoking, engaging and fun as you’ll see from the images I’ve posted here. Artzuid 2025 runs through September 21, 2025. 

Yolandita, Jaume Plensa, 2024, bronze

Inhebantu from the Kuchu Eastern Busoga Kingdom, Leilah Babirye, 2023-2024
glazed ceramic, wire, bicycle tire inner tubes and found objects

The Ones XI, Mickey Hoogendijk, 2024, bronze

Horizons, Jean Marie Appriou, 2023, aluminum

Verknoopt, Louise Schouwenberg, 1954, bronze

Rug People, Paloma Varga Weisz, 2011, patinated bronze

Figure with Three Birds, Leiko Ikemura, 2021, patinated bronze

Sculpture of a Seated Boy, Magdalena Abakanowicz, 2002, iron

Sculpture of a Seated Boy, Magdalena Abakanowicz, 2002, iron

Respect and Integrity, Carin Scholten, 2025, bronze

Respect and Integrity, Carin Scholten, 2025, bronze

Untitled, Maja van Hall Blom, 1978/79, bronze

Zaaddrager, Heike Luuk, 1993, bronze

Amma, Lina Iris Viktor, 2024, 
lost waxcast, silica bronze, stainless steel mounting brackets

Annex #4, Rob Voerman, 2006,
car, steel, plexiglass, stained glass, screws

Annex #4, Rob Voerman, 2006,

Apex, Ricardo van Eyk, 2025, steel and aluminum

Negritude and the Loss of Virginity, Nelson Carrilho

Migrant, Tony Cragg, 2015, bronze

The Adventure of Freedom, Stefan Rinck, 2025, limestone

The Owl of Life, Stefan Rinck

Bat, TalR, 2019


Monument for the Future, Ivan Cremer

Bloc’s Party, Kathleen Vinck

Channel Liberty (with Fallen Arm), Arlene Shechet

Clarad, Esther Jiskoot

Matter Motion, Alicja Kwade, 2020

Inverse, Rob Schreefel, 2019, granite

Magnified no. 3, Magnified no. 4, Chris Peterson, 2023, granite

De Roeptoeter, David Bade, 2024, plastic

Detail of De Roeptoeter, David Bade, 2024, plastic

Silhouette II, Lotta Blokker, 2013, bronze

Nachhut, Neo Rauch, 2011, patinated bronze

Zonder Titel, Tirzo Martha, 2024, mixed media

Seaweed Skeleton no. 8, Margo Berkman, 2025,
(the remains of a former kelp forest)
concrete, steel, corrugated cardboard, epoxy, topcoat, concrete cobblestone

Wacht, Erik Buijs, 2025, aluminum

The Monument Group, Atelier van Lieshout

Yoshitomo Nara
For detailed information about the artworks posted here, visit the Instagram account of Artzuid under the same name. 

How to get to the Apollolaan/Minervalaan:
Uber from Leidseplein to Apollolaan in front of the Hilton is approximately €12. Or tram #24 from Central Station. Follow this link reisinfo.gvb.nl for tram information. For the map of the exhibition route, check artzuid.nl

Links to previous ARTZUID exhibitions:
2023
https://www.travelswithcharie.com/2023/05/artzuid-2023.html
2021
https://www.travelswithcharie.com/2023/05/artzuid-2023.html

Stay connected


*****

Images by TravelswithCharie




Labels:
Location: Amsterdam, Netherlands

Popular posts from this blog

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...
Read more

The Philippine Village Life by Vicente Silva Manansala

Pamilya (Family) With the completion of their new headquarters in Manila in 1961, PhilAm Life (a life insurance company) commissioned Vicente Silva Manansala to do a series of paintings for their cafeteria. (Lucky employees!) Before long these seven large-scale paintings about Philippine village life were moved to the front lobby which was deemed a more appropriate setting for the canvases. They remained there until the building was sold in 2012. Mindful of the cultural significance of the paintings and the need for its preservation and conservation, the management of PhilAm Life decided to loan these treasures to the National Museum in 2014. “Pamilya reflects Filipino values of family solidarity and solemnity showing a common scenario of praying before sharing a meal with one’s family.” National Museum of the Philippines Pagkain (Food) One of the Thirteen Moderns and Neo Realists, Vicente Silva Manansala had the good fortune to study art in Canada, the United States, France and Switz...
Read more

Filipino Struggles in History - Carlos Botong Francisco

In 1968, Antonio Villegas (then Mayor of Manila), commissioned Carlos "Botong" Francisco to paint the history of Manila for Manila City Hall. The series of large scale paintings was called  Kasaysayan ng Maynila  (History of Manila).  The paintings deteriorated over time and no attempt was made to preserve these historical canvases until 2013 when Mayor Amado Lim sent them to the National Museum for extensive restoration. Four years later, in 2017, Mayor Joseph Ejercito Estrada and the Manila City Council signed an agreement with the National Museum to leave the paintings at the museum so they may reach a larger audience in exchange for museum grade reproductions to replace the originals. Kasaysayan ng Maynila was later renamed Filipino Struggles in History and is now on display at the Senate Hall of the National Museum . Carlos "Botong" Francisco died in March 1969, a few months after completing the paintings. He is one of the first Filipino modernists and...
Read more