Skip to main content

Boom Tarat Tarat

I heard that a local composer liked the "Little Drummer Boy" Christmas song and he wanted to compose something similar. He came up with Boom tarat tarat, the sound precisely of a drumbeat.

The popularity of this song comes not only from its catchy lyrics but also from the dance steps that locals seem to know and dance by heart. Grandpa, the teacher or professional, the balikbayan, the little kids, the shy teenager, they all have their way of dancing to this music.

The first step is to pull your forearms in (like when you say "Yes!") and right knee up then tap your right behind with your right hand, then your left hand over your left behind. This follows the line, "boom tarat tarat". The second movement follows "tararat tararat", and the hands wave to the right like a hula dancer. The third movement follows "boom, boom, boom" and the foreams pull in while the pelvis pushes out. A very macho movement!

You can't imagine how many interpretations there are of this dance but each one manages to bring laughter and smiles all around.

Christmas in the Philippines will never be the same without this song played over the airwaves. It's now a classic like the old standby, Ang Pasko ay Sumapit.

Popular posts from this blog

Brașov was once called Stalin City

White Tower Brașov is a city nestled in the Carpathian Mountains in Transylvania. Remnants of its medieval fortifications and bastions are added attractions to this buzzing city. The White Tower along with the Black Tower are two of the remaining watchtowers still visible today. During the Communist period,  Brașov  was called Orasul Stalin or Stalin City after the Soviet leader, Joseph Stalin. Black Church This is such a storied Gothic church which was originally the Catholic Church of St. Mary before it was converted to a Lutheran Church. It was believed to have been affected by fire in 1689 which blackened its exterior walls and roof. But a new 21st century study reveals that this wasn’t the case at all. The only reason for its blackened state according to the study is environmental pollution caused by the industrialization of Brasov in the 19th century. The walls have since been cleaned but there are traces of black spots on the roof.  Republicii Street This long pede...

The Gold of Ancestors: Pre-Colonial Philippine Treasures

Openwork basket, Surigao, 10th-13th century What a wonderful surprise this exhibition is! These gold objects, about a thousand of them, add a rich layer to Philippine history. This collection which was found in various sites in the Philippines, date back to the 10th-13th centuries. It demonstrates the well developed culture of pre colonial Philippines which the Spaniard, Antonio Pigafetta, recorded in 1521 when Ferdinand Magellan landed in the islands. A thriving interchange between the Philippines and its Asian neighbors existed prior to the arrival of Magellan as attested by some of these gold accouterments which show for example, images from Hindu mythology. The motifs and curvilinear ornamentation of the openwork basket (shown above) intimate Chinese designs found in their ceramics and textiles.  Torso ornament, 10th-13th century Weighing four kilos of gold, this sash is worn across the chest similar to the  upavita (sacred thread)  style in Hindu culture. This sash w...

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...