Only in Amsterdam

Today is Liberation Day in Holland. The whole country was celebrating with hip music on three stages at Museumplein. My friend André who is the best host one can only dream of, took me to the park and we walked and watched the performances in bright sunshine. Afterward we went to the Amstel River to enjoy another concert with Amsterdam's own Metropole Orchestra. The temperatures plunged but we kept warm in the company of thousands who came to listen to the music and wave their flags when the Queen Beatrix arrived and sat on a floating platform across from the stage. When the concert was nearly over, Andre called me, "Rose, please hurry if you want to see the Queen". And I followed him though I didn't believe we could really get close enough to see her.

At the Opera House, we found her car with the AA license plates and sure enough she came by boat with the Prime Minister and Mayor of Amsterdam. She waved at the few gathered there and entered her car and was whisked away with the minimum of security . The Prime Minister, Jan Peter Balkenende, was about to leave when he decided to come our way and I immediately shook his hand. He asked the party next to me (in Dutch), "Was it worth your wait?" and they heartily said "ya".

Andre who is never short for words addressed him, "Mr. Prime Minister, I would like you to meet Rose Albar who is here all the way from California". You can imagine how stunned I was and I couldn't think what to say so I shook Mr. Balkenende's hand again.

What an exciting evening! After that we went to L'Opera at Rembrandtplein for drinks and talked all about our unexpected meeting with the Prime Minister. How incredible that I left my camera at home and my cellphone camera could only take a photo of silhouettes in the dark of night. Helaas, too bad!

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

8 Heritage Houses of Iloilo

Lizares Mansion The province of Iloilo on the island of Panay has a rich trove of heritage houses, left over from the sugar industry boom in the 19th century. Iloilo also had the largest port in the Philippines at that time which facilitated the export of sugar to foreign shores and deposited money in the hands of the sugar barons. The barons dropped their earnings into the acquisition of properties in Negros and the construction of beautiful homes in Iloilo, many of which are located in the vicinity of the Jaro Cathedral. The Lizares Mansion was built in 1937 by Don Emiliano Lizares for his wife, Concepcion Gamboa and five children. The family fled to safety when World War II broke out and the house was occupied by the Japanese military. The family returned to the house after the war but left once again after the demise of Don Emiliano. It was sold to the Dominican order in the 1960s and was converted in 1978 to a private school, Angelicum School. The mansion now houses the ...

Timbulan ng Laya at Diwang Dakila

Timbulan ng Laya at Diwang Dakila, Carlos Botong Francisco, 1968, oil on canvas In 1963, Mayor Antonio Villegas wrote a report, Building a Better Manila, where he indicated in detail his accomplishments on his first year as Mayor of Manila and his vision for the future of the city. Villegas aspired for a prosperous Manila by providing its residents access to health, family and housing services, opportunities for education and employment and improved infrastructure for water and road systems. *Notice the hands at the top of the painting. These hands symbolize the protective reach of God over the city of Manila. Central Panel On either side of the seal of Manila are the former mayors of the city. At the bottom are the city’s old seals. Seal of Manila adopted in 1965 under Mayor Antonio Villegas Timbulan ng Laya (Beacon of Freedom) at Diwang Dakila (Noble Spirit) are written on the seal. A sunburst with 15 rays cast light across the canvas. Below the sun, in red, is the Baybayin let...

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