Skip to main content

Once upon a summer's day

Once upon a summer’s day, I walked along the beach under a big, green umbrella with the name of a local bank emblazoned in gold across its face. I was dripping wet, the kind I abhor the most when my skin feels so sticky and shiny, I can only hope no one I know will stop and chat with me in my most vulnerable state. Any foreigner would laugh at the sight of me. No one uses an umbrella on the beach unless it’s one of those resort beach umbrellas that do not walk. But it’s scorching hot, a normal summer’s day.

These days I’ve been using my designer look-alike, plaid umbrella that can barely keep me dry, what with its flimsy metal bones that break at the slightest provocation. It’s been raining everyday since February. I wake up in the morning to the sound of howling winds and heavy surf. The skies are consistently a threatening grey. The ground is muddy and when I walk up and down the long driveway, my flip flops collect the mud. It sticks like glue and I feel laden with weight that I have to stop and wipe my slippers against any protruding rock along the way.

My friends and I talk about the rain and what happened to summer. Today someone said we’re lucky that it’s been windy else we would suffer the tremendous heat. And after thinking about it I had other positive things to say about this strange weather that La Niña has brought about. For one thing, I don’t have to use my airconditioner. That’s a big savings! And there are no mosquitoes at night because the unrelenting wind blows them away, hopefully far out to sea. But I miss the flowers in my garden which have eloped with the mosquitoes.

Now I know what it’s like to live in Seattle.

* * *

Popular posts from this blog

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

The Philippine Village Life by Vicente Silva Manansala

Pamilya (Family) With the completion of their new headquarters in Manila in 1961, PhilAm Life (a life insurance company) commissioned Vicente Silva Manansala to do a series of paintings for their cafeteria. (Lucky employees!) Before long these seven large-scale paintings about Philippine village life were moved to the front lobby which was deemed a more appropriate setting for the canvases. They remained there until the building was sold in 2012. Mindful of the cultural significance of the paintings and the need for its preservation and conservation, the management of PhilAm Life decided to loan these treasures to the National Museum in 2014. “Pamilya reflects Filipino values of family solidarity and solemnity showing a common scenario of praying before sharing a meal with one’s family.” National Museum of the Philippines Pagkain (Food) One of the Thirteen Moderns and Neo Realists, Vicente Silva Manansala had the good fortune to study art in Canada, the United States, France and Switz...

Filipino Struggles in History - Carlos Botong Francisco

In 1968, Antonio Villegas (then Mayor of Manila), commissioned Carlos "Botong" Francisco to paint the history of Manila for Manila City Hall. The series of large scale paintings was called  Kasaysayan ng Maynila  (History of Manila).  The paintings deteriorated over time and no attempt was made to preserve these historical canvases until 2013 when Mayor Amado Lim sent them to the National Museum for extensive restoration. Four years later, in 2017, Mayor Joseph Ejercito Estrada and the Manila City Council signed an agreement with the National Museum to leave the paintings at the museum so they may reach a larger audience in exchange for museum grade reproductions to replace the originals. Kasaysayan ng Maynila was later renamed Filipino Struggles in History and is now on display at the Senate Hall of the National Museum . Carlos "Botong" Francisco died in March 1969, a few months after completing the paintings. He is one of the first Filipino modernists and...