Skip to main content

Sunday at Sensoji Temple

The Grand Kaminarimon Gate

Learning to navigate around Tokyo using the subway system was a liberating experience. I could explore with no qualms of getting lost in this mega city. The possibilities were endless. Except for the fact that I would get tired sooner rather than later because I was trying to do too much in one day. In the morning I strolled up and down Omotesando, shopping for gifts at Oriental Bazaar and checking out the Hiroshige exhibition at the Ota Memorial Museum of Art. Refreshed and rested after a big lunch, I took the subway across town to Asakusa to see Sensoji Temple once more.

Nakamise Street

Sensoji Temple is the oldest temple in Tokyo, dating back to 628.  The Grand Kaminarimon Gate leads visitors to temple grounds. This is a favorite spot for meeting friends or photo ops with the massive red lantern in the background. Nakamise Street extends 250 meters from the gate to the temple. It is lined on each side with tempting stores but on this Sunday, it was impossibly crowded and I could only move to the flow of the crowd.


I took the side alleys to avoid the crowds and was surprised to see this rickshaw driver and delighted to have a photo of this woman in her beautiful kimono.


Here's the fountain from where the worshipper cleanses himself/herself before going to the temple.  In the central courtyard is the censer where people gather to draw the smoke emanating from the burner and rubbing it on their bodies to get rid of stress and prepare the mind for worshipping in peace.


In an area beside the temple, I found a peaceful spot to commune with Buddha.


This quote from Buddha hits the mark. It says so much about our personal journeys in life.
"You are far from the end of your journey.
The way is not in the sky.
The way is in the heart.
See how you love."

*  *  *

Images by Charie

Popular posts from this blog

Brașov was once called Stalin City

White Tower Brașov is a city nestled in the Carpathian Mountains in Transylvania. Remnants of its medieval fortifications and bastions are added attractions to this buzzing city. The White Tower along with the Black Tower are two of the remaining watchtowers still visible today. During the Communist period,  Brașov  was called Orasul Stalin or Stalin City after the Soviet leader, Joseph Stalin. Black Church This is such a storied Gothic church which was originally the Catholic Church of St. Mary before it was converted to a Lutheran Church. It was believed to have been affected by fire in 1689 which blackened its exterior walls and roof. But a new 21st century study reveals that this wasn’t the case at all. The only reason for its blackened state according to the study is environmental pollution caused by the industrialization of Brasov in the 19th century. The walls have since been cleaned but there are traces of black spots on the roof.  Republicii Street This long pede...

The Gold of Ancestors: Pre-Colonial Philippine Treasures

Openwork basket, Surigao, 10th-13th century What a wonderful surprise this exhibition is! These gold objects, about a thousand of them, add a rich layer to Philippine history. This collection which was found in various sites in the Philippines, date back to the 10th-13th centuries. It demonstrates the well developed culture of pre colonial Philippines which the Spaniard, Antonio Pigafetta, recorded in 1521 when Ferdinand Magellan landed in the islands. A thriving interchange between the Philippines and its Asian neighbors existed prior to the arrival of Magellan as attested by some of these gold accouterments which show for example, images from Hindu mythology. The motifs and curvilinear ornamentation of the openwork basket (shown above) intimate Chinese designs found in their ceramics and textiles.  Torso ornament, 10th-13th century Weighing four kilos of gold, this sash is worn across the chest similar to the  upavita (sacred thread)  style in Hindu culture. This sash w...

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...