Skip to main content

Angkor Wat Under Wraps


My first impression of Angkor Wat was one of total disappointment. I happened to visit the site when it was undergoing restoration work on the front terrace. I could have cried. But there wasn't much I could do about it. So I concentrated on the other features of the temple and there was much to see and learn.


This is one of the long galleries that wrap around the temple. It faces west with a view of the library and causeway. Behind these columns is a wall decorated with bas reliefs. There are some beautifully carved vignettes like the mother playing with her child. It's best to spend a little more time here with a guide who can point out some of the most interesting bas reliefs and give you background information about them to better appreciate this incredible visual library.


We wound up at the back of the temple where we had a full view of the two rear towers. Ankor Wat, like all other temples in Cambodia, were built up (on a height) to emulate Mount Meru, the legendary home of Hindu deities. Wooden stairs have been added for visitors to climb up to the temple as some of the original ones are partially eroded.


I saved the best for last. I did get a decent photo of Angkor Wat from the front. From this angle, the wraps are nowhere to be seen.


It's best to contact the official tourism office of Cambodia when planning your trip to Siem Reap to check if any of the temples or landmarks you wish to see are open to the public and/or are undergoing restoration.  http://tourismcambodia.org/.

*   *   *

Images by Charie

Popular posts from this blog

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

8 Heritage Houses of Iloilo

Lizares Mansion The province of Iloilo on the island of Panay has a rich trove of heritage houses, left over from the sugar industry boom in the 19th century. Iloilo also had the largest port in the Philippines at that time which facilitated the export of sugar to foreign shores and deposited money in the hands of the sugar barons. The barons dropped their earnings into the acquisition of properties in Negros and the construction of beautiful homes in Iloilo, many of which are located in the vicinity of the Jaro Cathedral. The Lizares Mansion was built in 1937 by Don Emiliano Lizares for his wife, Concepcion Gamboa and five children. The family fled to safety when World War II broke out and the house was occupied by the Japanese military. The family returned to the house after the war but left once again after the demise of Don Emiliano. It was sold to the Dominican order in the 1960s and was converted in 1978 to a private school, Angelicum School. The mansion now houses the ...

Timbulan ng Laya at Diwang Dakila

Timbulan ng Laya at Diwang Dakila, Carlos Botong Francisco, 1968, oil on canvas In 1963,  Mayor Antonio Villegas wrote a report, Building a Better Manila, where he indicated in detail his accomplishments on his first year as Mayor of Manila and his vision for the future of the city. Villegas aspired for a prosperous Manila by providing its residents access to health, family and housing services, opportunities for education and employment and improved infrastructure for water and road systems. *Notice the hands at the top of the painting. These hands symbolize the protective reach of God over the city of Manila. Central Panel On either side of the seal of Manila are the former mayors of the city. At the bottom are the city’s old seals. Seal of Manila adopted in 1965 under Mayor Antonio Villegas Timbulan ng Laya (Beacon of Freedom) at Diwang Dakila (Noble Spirit) are written on the seal. A sunburst with 15 rays cast light across the canvas. Below the sun, in red, is the Baybayin let...