Stitching Travel Memories

Sunrise at Angkor Wat

I just recently discovered some apps like Diptic, Collage and Instagram which enhance a photograph in different and amazing ways. With Sunrise at Angkor Wat, I used Diptic to form a collage of various images I took at Angkor Wat last year to show the unfolding of day starting at around 5:30 a.m. until the sun crept into full view. It's beautiful to see the gradation of hues at intervals of just a few minutes. I refer to these images as "early bird catches early worm".

Bayon

In this photo taken at Bayon (also at the Angkor complex of temples), I used a filter from Instagram for a dramatic effect and to hide the haze at the lower edge of the photo. The frame further adds to the drama and sets the photo back in time. I describe this image as "a smiling face peeping through the corridors of time".

Casa de Fruta, Gilroy, California

This collage of eye candy was made using Collage app. It's a fun way of mixing various images into one so you can show as many photographs while placing each one within its own frame, depending on the selected layout . There are at 16 layouts to start you off and you can choose what color to use for your border. In the photo above, I used a subtle yellow which complements the jelly beans and the children's cups below.

The apps are user friendly. It doesn't take long to learn how to enhance your photos. It's a fun and creative exercise that will keep you engrossed for hours. All these apps are free for IPhone and IPad users and you can share your photos with family and friends on Instagram.
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Images by Charie

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

The Philippine Village Life by Vicente Silva Manansala

Pamilya (Family) With the completion of their new headquarters in Manila in 1961, PhilAm Life (a life insurance company) commissioned Vicente Silva Manansala to do a series of paintings for their cafeteria. (Lucky employees!) Before long these seven large-scale paintings about Philippine village life were moved to the front lobby which was deemed a more appropriate setting for the canvases. They remained there until the building was sold in 2012. Mindful of the cultural significance of the paintings and the need for its preservation and conservation, the management of PhilAm Life decided to loan these treasures to the National Museum in 2014. “Pamilya reflects Filipino values of family solidarity and solemnity showing a common scenario of praying before sharing a meal with one’s family.” National Museum of the Philippines Pagkain (Food) One of the Thirteen Moderns and Neo Realists, Vicente Silva Manansala had the good fortune to study art in Canada, the United States, France and Switz...

Filipino Struggles in History - Carlos Botong Francisco

In 1968, Antonio Villegas (then Mayor of Manila), commissioned Carlos "Botong" Francisco to paint the history of Manila for Manila City Hall. The series of large scale paintings was called Kasaysayan ng Maynila (History of Manila). The paintings deteriorated over time and no attempt was made to preserve these historical canvases until 2013 when Mayor Amado Lim sent them to the National Museum for extensive restoration. Four years later, in 2017, Mayor Joseph Ejercito Estrada and the Manila City Council signed an agreement with the National Museum to leave the paintings at the museum so they may reach a larger audience in exchange for museum grade reproductions to replace the originals. Kasaysayan ng Maynila was later renamed Filipino Struggles in History and is now on display at the Senate Hall of the National Museum . Carlos "Botong" Francisco died in March 1969, a few months after completing the paintings. He is one of the first Filipino modernists and...

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