Skip to main content

The Market Gate of Miletus


The Market Gate of Miletus at the Pergamon Museum was rebuilt around 1925-1929 from hundreds of tons of fragments excavated in the ancient city of Miletus and shipped to Berlin by German archaeologists. The original gate dates back to the 2nd century AD and was at the northern entrance to the southern agora or market. It was destroyed by an earthquake in the 10th or 11th centuries and suffered damages during World War II.

On each side of the center door are statues, one of which is believed to be that of Hadrian (with a vanquished slave). The columns supporting the gate are Corinthian in style and the gate itself was originally constructed from marble. However, this reconstructed gate now consists of brick, cement, steel and the fragments from the excavation.


On the floor in front of the gate is a mosaic taken from a private home in Miletus. It depicts Orpheus with his lyre. According to classical Greek mythology, Orpheus could charm all living things with his music including wild animals which are found at the base of this mosaic.  The Greek key symbol forms a frame around these beasts and winged men.


Excerpt from To Heaven*

Great Heav'n, whose mighty frame no respite knows,
Father of all, from whom the world arose:
Hear, bounteous parent, source and end of all,
Forever whirling round this earthly ball;
Abode of Gods, whose guardian pow'r surrounds
The eternal World with ever during bounds


*From the Hymns of Orpheus as translated by Thomas Taylor, 1792

*  *  *

Images by Travels with Charie

Popular posts from this blog

Brașov was once called Stalin City

White Tower Brașov is a city nestled in the Carpathian Mountains in Transylvania. Remnants of its medieval fortifications and bastions are added attractions to this buzzing city. The White Tower along with the Black Tower are two of the remaining watchtowers still visible today. During the Communist period,  Brașov  was called Orasul Stalin or Stalin City after the Soviet leader, Joseph Stalin. Black Church This is such a storied Gothic church which was originally the Catholic Church of St. Mary before it was converted to a Lutheran Church. It was believed to have been affected by fire in 1689 which blackened its exterior walls and roof. But a new 21st century study reveals that this wasn’t the case at all. The only reason for its blackened state according to the study is environmental pollution caused by the industrialization of Brasov in the 19th century. The walls have since been cleaned but there are traces of black spots on the roof.  Republicii Street This long pede...

The Gold of Ancestors: Pre-Colonial Philippine Treasures

Openwork basket, Surigao, 10th-13th century What a wonderful surprise this exhibition is! These gold objects, about a thousand of them, add a rich layer to Philippine history. This collection which was found in various sites in the Philippines, date back to the 10th-13th centuries. It demonstrates the well developed culture of pre colonial Philippines which the Spaniard, Antonio Pigafetta, recorded in 1521 when Ferdinand Magellan landed in the islands. A thriving interchange between the Philippines and its Asian neighbors existed prior to the arrival of Magellan as attested by some of these gold accouterments which show for example, images from Hindu mythology. The motifs and curvilinear ornamentation of the openwork basket (shown above) intimate Chinese designs found in their ceramics and textiles.  Torso ornament, 10th-13th century Weighing four kilos of gold, this sash is worn across the chest similar to the  upavita (sacred thread)  style in Hindu culture. This sash w...

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...