Skip to main content

Ulrich Zwingli at Eye Level

“I ask Christ for this one thing only, that he will enable me to endure all things courageously, and that he break me as a potter’s vessel or make me strong, as it pleases him.” Ulrich Zwingli

For the 500th anniversary of Swiss reformation leader, Huldrych (Ulrich) Zwingli, fifteen plastic statues of him were cast from the model of the bronze original found on the Wasserkirche (Water Church). One of these statues was included at a festival parade in Zürich and twelve of them were installed in each of the twelve districts of the city. Both the main train station and the airport each had a statue on display as well. Ten of these Zwingli figures were later moved to the Limmatquai to stand under the shadow of the Grossmünster Church overlooking the river. According to Christoph Sigrist, pastor of Grossmünster, the goal of the celebration is to bring Zwingli to the people, at eye level, thereby inviting dialogue and spreading the reach of the Church beyond its walls.

The eco-Zwingli in mirrored robe was dressed by the Grossmünster youth group. It is surrounded by plastic trash. The underlying tone here is for us to think about “our own responsibility for climate change”. The red hot costumed Zwingli with silver spoons, forks and a wooden pizza peel is the most eye catching of the lot. The grey-robed reformer with a virtual reality headset and books at his feet certainly reaches out to today’s youth and the future of education. There were captions beside the statues but alas, I don’t understand the German language so the captions were lost on me. But it’s not difficult to interpret the meaning of these figures.

Zwingli’s role in the Protestant reformation movement has been overshadowed by Luther and Calvin. But his influence in the German speaking regions of Switzerland cannot be ignored. Some religious historians attribute the discipline and affluence of the Swiss to the strict work ethic instituted by Zwingli in the 16th century. His liturgical reforms include the abolition of clerical celibacy, the celebration of the mass and Lenten fasting. (Zwingli was secretly living with Anna Reinhard before the Zurich City Council approved his First Disputations which was submitted in 1523 and which allowed clerical marriage. He married her the following year.) Zwingli also advocated the removal of relics and images of Jesus, Mary and the saints from churches and implemented the teachings of the Bible. 
Luther and Zwingli strongly disagreed with the idea of transubstantiation of bread and wine at Communion. Luther believed in the literal presence of Christ in these elements while Zwingli interpreted them as merely symbolic. These two opposing views divided the German and Swiss reformation movements and the effort for reconciliation at the Colloquy of Marburg in 1529 only deepened the wedge between the two leaders. Zwingli died two years later at the Second War of Kappel when he accompanied Zürcher soldiers as their chaplain.

The Zwingli figure in a doctor’s robe with a red cross on his collar seems to connect him with the Red Cross which was founded in Geneva, Switzerland. The nude-robed Zwingli statue with a bird perched on his shoulder is associating the 16th century reformer with St. Francis of Assisi who was also a reformer of his time and the patron saint of animals. 

The statues of Zwingli were installed above the Limmat River. (Photos were taken in November 2019.)

The Zwingli figures have since been removed and were auctioned off to raise money for social causes. 

“We pastors must have the courage to step down from our pulpits if it is to be true what we preached for a Reformation anniversary: that the Church must renew itself.” Christoph Sigrist from an interview by Felix Reich, June 26, 2019, reformiert.info. 

*****

Images by TravelswithCharie



Comments

Popular posts from this blog

Filipino Struggles in History - Carlos Botong Francisco

In 1968, Antonio Villegas (then Mayor of Manila), commissioned Carlos "Botong" Francisco to paint the history of Manila for Manila City Hall. The series of large scale paintings was called  Kasaysayan ng Maynila  (History of Manila).  The paintings deteriorated over time and no attempt was made to preserve these historical canvases until 2013 when Mayor Amado Lim sent them to the National Museum for extensive restoration. Four years later, in 2017, Mayor Joseph Ejercito Estrada and the Manila City Council signed an agreement with the National Museum to leave the paintings at the museum so they may reach a larger audience in exchange for museum grade reproductions to replace the originals. Kasaysayan ng Maynila was later renamed Filipino Struggles in History and is now on display at the Senate Hall of the National Museum . Carlos "Botong" Francisco died in March 1969, a few months after completing the paintings. He is one of the first Filipino modernists and

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was

8 Heritage Houses of Iloilo

Lizares Mansion The province of Iloilo on the island of Panay has a rich trove of heritage houses, left over from the sugar industry boom in the 19th century. Iloilo also had the largest port in the Philippines at that time which facilitated the export of sugar to foreign shores and deposited money in the hands of the sugar barons. The barons dropped their earnings into the acquisition of properties in Negros and the construction of beautiful homes in Iloilo, many of which are located in the vicinity of the Jaro Cathedral. The Lizares Mansion was built in 1937 by Don Emiliano Lizares for his wife, Concepcion Gamboa and five children. The family fled to safety when World War II broke out and the house was occupied by the Japanese military. The family returned to the house after the war but left once again after the demise of Don Emiliano. It was sold to the Dominican order in the 1960s and was converted in 1978 to a private school, Angelicum School. The mansion now houses the