Hamungaya with Jonard Villarde

Pagtilipon. Acrylic on paper. 2023

Hamungaya (Hiligaynon for fruitful or bountiful) is the solo show of Jonard Villarde at Teddy's Art Space in Roxas City. This series of paintings traces the trajectory of fish from the net cast by fishermen to the porters and couriers who take them in woven boxes to market where it will be sold and end up on our dinner plate. The artist pays homage to the often "unseen" folk who form the chain of hands that deliver food to our table.

Pagtilipon (gathering) of fisherfolk with the tools of the trade: fishing net to catch fish, paddle, baskets to hold fish, the bountiful catch and the pole to carry the baskets of fish.

Kargador, Jonard Villarde, Roxas City, Capiz

Kargador. Acrylic on paper. 2023

The Kargador (porter) takes the haul in woven boxes and baskets to the courier for delivery. Note how the artist painstakingly portrays the woven boxes and baskets which he has observed since his childhood.

Fish mobile, Jonard Villarde, Roxas City, Capiz

Fish mobiles. Acrylic on paper. 2023.

Couriers take the catch to market on their bike and on the back of a kargador.

Nilatag. Acrylic on paper. 2023

Now the catch is laid out (nilatag) and ready to be sold. The scale takes a prominent spot in the center of the painting and between the legs of another vendor. The scale is everything in the process of changing hands between vendor and buyer.

Detail from Nilatag

Villarde draws inspiration from the works of Picasso while incorporating elements from his roots in Capiz and the bountiful produce from the sea. Further, he pays homage to Him whom the big round eyes of these fisherfolk are turned up to.

Jonard Villarde beside his painting, Kargador

Jonard Villarde is an educator and visual artist. He hails from Ivisan, Capiz. He has previously exhibited his works at Viva ExCon 2018 and most recently at the Bottles and Vases art exhibition at SM Iloilo. This is his first solo show.

Hamungaya art exhibition will run through March at Teddy's Art Space on Legaspi Street in Roxas City, across from Panublion Museum.

*****

Images by TravelswithCharie

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

8 Heritage Houses of Iloilo

Lizares Mansion The province of Iloilo on the island of Panay has a rich trove of heritage houses, left over from the sugar industry boom in the 19th century. Iloilo also had the largest port in the Philippines at that time which facilitated the export of sugar to foreign shores and deposited money in the hands of the sugar barons. The barons dropped their earnings into the acquisition of properties in Negros and the construction of beautiful homes in Iloilo, many of which are located in the vicinity of the Jaro Cathedral. The Lizares Mansion was built in 1937 by Don Emiliano Lizares for his wife, Concepcion Gamboa and five children. The family fled to safety when World War II broke out and the house was occupied by the Japanese military. The family returned to the house after the war but left once again after the demise of Don Emiliano. It was sold to the Dominican order in the 1960s and was converted in 1978 to a private school, Angelicum School. The mansion now houses the ...

Timbulan ng Laya at Diwang Dakila

Timbulan ng Laya at Diwang Dakila, Carlos Botong Francisco, 1968, oil on canvas In 1963, Mayor Antonio Villegas wrote a report, Building a Better Manila, where he indicated in detail his accomplishments on his first year as Mayor of Manila and his vision for the future of the city. Villegas aspired for a prosperous Manila by providing its residents access to health, family and housing services, opportunities for education and employment and improved infrastructure for water and road systems. *Notice the hands at the top of the painting. These hands symbolize the protective reach of God over the city of Manila. Central Panel On either side of the seal of Manila are the former mayors of the city. At the bottom are the city’s old seals. Seal of Manila adopted in 1965 under Mayor Antonio Villegas Timbulan ng Laya (Beacon of Freedom) at Diwang Dakila (Noble Spirit) are written on the seal. A sunburst with 15 rays cast light across the canvas. Below the sun, in red, is the Baybayin let...

TravelswithCharie

Search This Blog