Artistic Icons Define Buenos Aires

Obelisco

The Obelisco on Avenida 9 de Julio (9th of July Avenue) has been the symbol of Buenos Aires since 1936 when it was built to commemorate the 400th anniversary of the founding of the city. (The 9th of July is the independence day of Argentina.) In the new millenium, two important architectural works were donated to the city and have become the defining icons of modern Buenos Aires.

Floralis Genérica

One of these, the Floralis Genérica, is a steel and aluminum floral sculpture designed and donated by local architect, Eduardo Catalano. The petals open in the morning and close at sunset except on certain days of the year when it remains open all day long. The Floralis is in the Palermo neighborhood on Plaza Naciones Unidas at Avenida Figueroa Alcorta, next door to the public law school which is an architectural destination on its own with its imposing neoclassical façade.

Puente de la Mujer

The whitewashed Puente de la Mujer (Woman's Bridge) soars over Dock 3 in the revitalized district of Puerto Madero. The architect, Santiago Calatrava, drew his inspiration from the tango. The single mast suggests the fluidity of a couple dancing. Viewed from different directions, the cables trailing down from the mast remind me of a harp. Dance and music are complementary. Which is why I find this footbridge so lyrical.

* * *

Images by TravelswihCharie

Brașov was once called Stalin City

White Tower Brașov is a city nestled in the Carpathian Mountains in Transylvania. Remnants of its medieval fortifications and bastions are added attractions to this buzzing city. The White Tower along with the Black Tower are two of the remaining watchtowers still visible today. During the Communist period, Brașov was called Orasul Stalin or Stalin City after the Soviet leader, Joseph Stalin. Black Church This is such a storied Gothic church which was originally the Catholic Church of St. Mary before it was converted to a Lutheran Church. It was believed to have been affected by fire in 1689 which blackened its exterior walls and roof. But a new 21st century study reveals that this wasn’t the case at all. The only reason for its blackened state according to the study is environmental pollution caused by the industrialization of Brasov in the 19th century. The walls have since been cleaned but there are traces of black spots on the roof. Republicii Street This long pede...

The Gold of Ancestors: Pre-Colonial Philippine Treasures

Openwork basket, Surigao, 10th-13th century What a wonderful surprise this exhibition is! These gold objects, about a thousand of them, add a rich layer to Philippine history. This collection which was found in various sites in the Philippines, date back to the 10th-13th centuries. It demonstrates the well developed culture of pre colonial Philippines which the Spaniard, Antonio Pigafetta, recorded in 1521 when Ferdinand Magellan landed in the islands. A thriving interchange between the Philippines and its Asian neighbors existed prior to the arrival of Magellan as attested by some of these gold accouterments which show for example, images from Hindu mythology. The motifs and curvilinear ornamentation of the openwork basket (shown above) intimate Chinese designs found in their ceramics and textiles. Torso ornament, 10th-13th century Weighing four kilos of gold, this sash is worn across the chest similar to the upavita (sacred thread) style in Hindu culture. This sash w...

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

TravelswithCharie

Search This Blog