Skip to main content

Albi on the Tarn


Having arrived by train from Toulouse in early afternoon, I was greeted by a peaceful ambiance that belied the bloody history of this river town. Albi was an active center of Catharism in southwestern France in the 13th century. The Catholic Church considered their beliefs heretical and was challenged by their existence. In 1209, Pope Innocent III launched a crusade against the Cathars led by Simon de Montfort. The Albigensian Crusade as it was called, was a ruthless 20-year war that extinguished the Catharis until they no longer posed a threat to the Church. In the aftermath of the crusade, the King of France solidified his stronghold in the Languedoc by taking the estates of the Counts of Toulouse and the independent princes. The Catholic Church reclaimed their hold of Albi with the construction of the fortress-like Cathedral of Sainte Cécile which started in 1282. Sainte Cécile is the largest brick built cathedral in the world. The Cathedral's 78-meter (256 ft.) steeple served as my GPS while roaming around the city.

On the left bank of the Tarn River are the old neighborhoods with half timbered red brick houses. Brick was used in many structures including the Cathedral of Sainte Cécile because clay is abundant in this area, a core element of brick. Albi is called La Ville Rouge because of the preponderance of brick in its architecture. Neighboring Toulouse is called La Ville Rose for the same reason.

The Pont Vieux (Old Bridge) with its graceful arched supports dates back to the 11th century. Its construction increased the influx of trade and paved the development of the suburb across the river. 

The Bout-du-Pont (End-Of-Bridge) suburb, now known as the Madeleine, grew as a result of the construction of the Pont Vieux.

The formal French garden in the courtyard of the Palais de la Berbie is surrounded by a promenade that has a commanding view of the Tarn River, the Madeleine, the Pont Vieux and the Cathedral. The Berbie Palace is now home to the Toulouse-Lautrec Museum which has the largest public collection in the world of the art of the eponymous French artist.

Henri de Toulouse-Lautrec was born in Albi in 1864 to an aristocratic family. His femurs were fractured when he was in his teens and this stunted his growth. He suffered physical pains and emotional turmoil throughout his life. He died in 1901 when he was 36 years old. His parents bequeathed the massive collection of paintings, lithographs, drawings and posters to the museum. Toulouse-Lautrec was famous for his unique posters. Above is one of many posters on display at the museum. Aristide Bruant was a singer, songwriter, nightclub owner and a friend of the artist. 

The Tarn River divides Albi into the left and right banks.

Albi is one of my special finds in France. There is so much to see and do in this compact town. The best way to explore Albi is to stay a couple of nights in the center of the city. This gives ample time to explore the Cathedral, the Madeleine neighborhood, the Cloisters of Saint Salvi, to take a walk by the Tarn and to leisurely admire the art of Toulouse-Lautrec at the Palais de la Berbie. 

How to get there from Toulouse:
There are several train services daily between Toulouse Matabiau and Albi-Ville The fare is 5 euros each way depending on time of departure. The journey takes a little more than an hour. It's a 15-minute walk from Albi-Ville train station to the Cathedral of Saint Cécile.

Toulouse-Lautrec Museum Fee: 10 euros
Cathedral of Sainte Cécile : free entrance to church, 5 euros to enter the Choir and 6 euros for both Choir and Treasury museum ticket and includes an audio guide

*****

Images by TravelswithCharie

Popular posts from this blog

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

Timbulan ng Laya at Diwang Dakila

Timbulan ng Laya at Diwang Dakila, Carlos Botong Francisco, 1968, oil on canvas In 1963,  Mayor Antonio Villegas wrote a report, Building a Better Manila, where he indicated in detail his accomplishments on his first year as Mayor of Manila and his vision for the future of the city. Villegas aspired for a prosperous Manila by providing its residents access to health, family and housing services, opportunities for education and employment and improved infrastructure for water and road systems. *Notice the hands at the top of the painting. These hands symbolize the protective reach of God over the city of Manila. Central Panel On either side of the seal of Manila are the former mayors of the city. At the bottom are the city’s old seals. Seal of Manila adopted in 1965 under Mayor Antonio Villegas Timbulan ng Laya (Beacon of Freedom) at Diwang Dakila (Noble Spirit) are written on the seal. A sunburst with 15 rays cast light across the canvas. Below the sun, in red, is the Baybayin let...

Masaganang Ani by Vicente Silva Manansala

Masaganang Ani (Bountiful Harvest), oil on canvas, 1962 The International Rice Institute of the Philippines (IRRI) was founded in the Philippines in 1960 by the Ford and Rockefeller foundations with the support of the Philippines government. The goal of IRRI is “to improve livelihoods, abolish poverty, hunger and malnutrition among those who depend on rice based agri-food systems”. Their headquarters is in Los Baños, Laguna. These two Manansala large scale paintings were commissioned by IRRI in 1962 to depict Filipino life, labor and leisure activities. The paintings were hung on the walls of the dining room and cafeteria  at its headquarters. These weren’t ideal places to hang the canvasses because the smoke from the kitchen and the cleaning solutions used by the staff threatened the paintings. They are now on loan to the National Museum of the Philippines which declared these two masterpieces as National Cultural Treasures. In Masaganang Ani, Manansala chose themes celebrating th...