Skip to main content

The Aura of Calm

On a recent unexpected layover in Tokyo, we were lucky to find a hotel in Shinagawa with a beautiful strolling garden. I would have missed it had I not caught a glimpse of greenery from the lobby after my morning walk. Since there was not much time before checkout, I skipped to the back door to discover this secret garden in the shadow of towering buildings. I wanted to learn more about Japanese gardens after this trip and found that there are several elements  defining a Japanese garden. 
  • First of these are the trees and plants which are especially chosen to provide texture. Various types of shrubbery, grasses, moss, conifers and trees are carefully selected depending on the type of garden. There are no shade trees. Subtle use of color is achieved with flowering trees and shrubs like azaleas, camellias and hydrangeas. A stone pagoda lantern completes the picture.
  • Water and carp. The Japanese garden is a refuge of calm especially for city dwellers weary of the daily grind and water has a therapeutic quality. The carp symbolizes strength and perseverance. It also adds color and movement to the garden.
  • Stones and gravel. Stones represent the continuation of time and gravel mimics the flow of water. Both elements are important features of a dry or zen Japanese garden.
  • Bridge. A bridge is essential to cross a pond and a place to stop and admire the colorful fishes below and the surrounding foliage.
This Japanese garden has a small temple which makes it all the more unique and special.
  • Pavilion and lanterns. After a walk in the garden, a pavilion is a welcome respite where one can sit with a cup of tea and relax a moment before joining our hurried and harried world. Pavilions are often found in tea gardens. Lanterns are essential elements because they guide the way for nocturnal wanderers. 
  • Pagoda. The pagoda is the repository of relics and holy items of the Buddhist faith. In this Japanese garden, the pagoda is an architectural accessory. Each of its five roofs or levels represent earth, water, fire, wind and space.
How to get there:
The garden is easily accessed through the Grand Prince Takanawa Hotel in the hills above Shinagawa. It's a short walk from Shinagawa Station behind three of the Prince Hotels which are across the street from the Station.

*****

Images by TravelswithCharie

Comments

Popular posts from this blog

Filipino Struggles in History - Carlos Botong Francisco

In 1968, Antonio Villegas (then Mayor of Manila), commissioned Carlos "Botong" Francisco to paint the history of Manila for Manila City Hall. The series of large scale paintings was called  Kasaysayan ng Maynila  (History of Manila).  The paintings deteriorated over time and no attempt was made to preserve these historical canvases until 2013 when Mayor Amado Lim sent them to the National Museum for extensive restoration. Four years later, in 2017, Mayor Joseph Ejercito Estrada and the Manila City Council signed an agreement with the National Museum to leave the paintings at the museum so they may reach a larger audience in exchange for museum grade reproductions to replace the originals. Kasaysayan ng Maynila was later renamed Filipino Struggles in History and is now on display at the Senate Hall of the National Museum . Carlos "Botong" Francisco died in March 1969, a few months after completing the paintings. He is one of the first Filipino modernists and

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was

8 Heritage Houses of Iloilo

Lizares Mansion The province of Iloilo on the island of Panay has a rich trove of heritage houses, left over from the sugar industry boom in the 19th century. Iloilo also had the largest port in the Philippines at that time which facilitated the export of sugar to foreign shores and deposited money in the hands of the sugar barons. The barons dropped their earnings into the acquisition of properties in Negros and the construction of beautiful homes in Iloilo, many of which are located in the vicinity of the Jaro Cathedral. The Lizares Mansion was built in 1937 by Don Emiliano Lizares for his wife, Concepcion Gamboa and five children. The family fled to safety when World War II broke out and the house was occupied by the Japanese military. The family returned to the house after the war but left once again after the demise of Don Emiliano. It was sold to the Dominican order in the 1960s and was converted in 1978 to a private school, Angelicum School. The mansion now houses the