Skip to main content

Vincent


Immersive Van Gogh exhibit, Las Vegas
Starry Night over the Rhone (1888)
This is a digital experience with Van Gogh's paintings projected and magnified on four walls allowing the viewer to see minute details of his artworks as they move across the surfaces to orchestrated music. 

“I don’t know anything with certainty, but seeing the stars makes me dream.” Vincent

The Potato Eaters (1885)

Bridge in the Rain (after Hiroshige), 1887
“My studio’s quite tolerable, mainly because I’ve pinned a set of Japanese prints on the walls that I find very diverting. You know, those little female figures in gardens or on the shore, horsemen, flowers, gnarled thorn branches.” Vincent to his brother, Theo from Antwerp, November 28, 1885

Sunflowers (1888/1889)
For Van Gogh, sunflowers represented gratitude. “The sunflower is mine, in a way.” Vincent

The Sower (1888)

Starry Night (1889)
Note: the image above is part of the painting. As the images continuously flow across surfaces, I have to decide to photograph the entire image or just a section of it. I couldn’t really do justice to the paintings presented as I only had my phone camera. 

“I often think that the night is more alive and more richly colored than the day”. Vincent

Irises (1889)

Saint Paul Asylum in Saint Remy
“I put my heart and soul into my work, and I have lost my mind in the process.” Vincent

Wheatfield with crows (1890)

The Church at Auvers (1890)
Vincent and his brother, Theo, who supported him financially until his death, are both buried at the cemetery behind this church at Auvers sur Oise in France.

Self portraits and portrait of Eugene Boch (center left)
Note: self portrait with bandaged ear after he cut his ear off
“I can’t change the fact that my paintings don’t sell. But the time will come when people will recognize that they are worth more than the value of the paints used in the picture.”

Immersive Van Gogh Exhibit
The Shops at Crystals
3720 S. Las Vegas Blvd.
Las Vegas, NV
We bought our discounted tickets from vegas.com and saved a lot. Each ticket included a poster and a cushion to sit on. (Cushion has to be returned after show.) Wheelchairs are allowed inside the venue. They also have wheelchairs you can borrow for the duration of the show.

*****

Images by TravelswithCharie
 

Comments

Popular posts from this blog

Filipino Struggles in History - Carlos Botong Francisco

In 1968, Antonio Villegas (then Mayor of Manila), commissioned Carlos "Botong" Francisco to paint the history of Manila for Manila City Hall. The series of large scale paintings was called  Kasaysayan ng Maynila  (History of Manila).  The paintings deteriorated over time and no attempt was made to preserve these historical canvases until 2013 when Mayor Amado Lim sent them to the National Museum for extensive restoration. Four years later, in 2017, Mayor Joseph Ejercito Estrada and the Manila City Council signed an agreement with the National Museum to leave the paintings at the museum so they may reach a larger audience in exchange for museum grade reproductions to replace the originals. Kasaysayan ng Maynila was later renamed Filipino Struggles in History and is now on display at the Senate Hall of the National Museum . Carlos "Botong" Francisco died in March 1969, a few months after completing the paintings. He is one of the first Filipino modernists and

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was

8 Heritage Houses of Iloilo

Lizares Mansion The province of Iloilo on the island of Panay has a rich trove of heritage houses, left over from the sugar industry boom in the 19th century. Iloilo also had the largest port in the Philippines at that time which facilitated the export of sugar to foreign shores and deposited money in the hands of the sugar barons. The barons dropped their earnings into the acquisition of properties in Negros and the construction of beautiful homes in Iloilo, many of which are located in the vicinity of the Jaro Cathedral. The Lizares Mansion was built in 1937 by Don Emiliano Lizares for his wife, Concepcion Gamboa and five children. The family fled to safety when World War II broke out and the house was occupied by the Japanese military. The family returned to the house after the war but left once again after the demise of Don Emiliano. It was sold to the Dominican order in the 1960s and was converted in 1978 to a private school, Angelicum School. The mansion now houses the