Skip to main content

Heard it through the grapevine

 

Yes, I heard it through the grapevine that there's a vineyard in Capiz. But it slipped my mind because so much was going on, what with the holidays.  Then suddenly my PA sent me a short post about it and off we went to see the fruit associated with  Bacchus thriving in tropical shores. 

We got there on the last hour of the last day. Actually, the person in charge of the mini vineyard was about to close for the day and for the season but saw us coming and let us in. He also gave us a tour and talked about the grapes grown in the vineyard. 

The red grapes are of the Baikonur variety. These are seeded grapes. The grape vines are trellised using bamboo poles. The entire vineyard is protected by a greenhouse plastic roof to protect the vines from the elements. A bamboo fence surrounds the area and a mesh net hangs down the sides to keep birds and animals from eating the fruits and taking aim at the young, fragile vines. This an organic vineyard, totally fertilizer free. 

Life is good if you can spend lazy days swinging under the canopy just waiting for the fruit to fall and brush your lips.

There are Muscat grapes grown here as well. So far the vineyard has produced 30 kilos of Baikonur grapes. There are plans to plant new vines in a nearby farm and maybe with a bigger harvest, a local wine will be produced. I'll drink to that!

To get to the vineyard, we crossed this bamboo bridge over a stream. Fun intro. Looking forward to the next harvest. 

The vineyard is in Barangay Agustin Navarra in Ivisan, Capiz. There are public utility vehicles (PUV) you can take from Roxas City to Ivisan which leave from the Roxas City Integrated Terminal on Sacred Heart of Jesus Avenue. In Ivisan, take a tricycle to Barangay Agustin Navarra. 


*****

Images by TravelswithCharie 



Popular posts from this blog

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

Timbulan ng Laya at Diwang Dakila

Timbulan ng Laya at Diwang Dakila, Carlos Botong Francisco, 1968, oil on canvas In 1963,  Mayor Antonio Villegas wrote a report, Building a Better Manila, where he indicated in detail his accomplishments on his first year as Mayor of Manila and his vision for the future of the city. Villegas aspired for a prosperous Manila by providing its residents access to health, family and housing services, opportunities for education and employment and improved infrastructure for water and road systems. *Notice the hands at the top of the painting. These hands symbolize the protective reach of God over the city of Manila. Central Panel On either side of the seal of Manila are the former mayors of the city. At the bottom are the city’s old seals. Seal of Manila adopted in 1965 under Mayor Antonio Villegas Timbulan ng Laya (Beacon of Freedom) at Diwang Dakila (Noble Spirit) are written on the seal. A sunburst with 15 rays cast light across the canvas. Below the sun, in red, is the Baybayin let...

Masaganang Ani by Vicente Silva Manansala

Masaganang Ani (Bountiful Harvest), oil on canvas, 1962 The International Rice Institute of the Philippines (IRRI) was founded in the Philippines in 1960 by the Ford and Rockefeller foundations with the support of the Philippines government. The goal of IRRI is “to improve livelihoods, abolish poverty, hunger and malnutrition among those who depend on rice based agri-food systems”. Their headquarters is in Los Baños, Laguna. These two Manansala large scale paintings were commissioned by IRRI in 1962 to depict Filipino life, labor and leisure activities. The paintings were hung on the walls of the dining room and cafeteria  at its headquarters. These weren’t ideal places to hang the canvasses because the smoke from the kitchen and the cleaning solutions used by the staff threatened the paintings. They are now on loan to the National Museum of the Philippines which declared these two masterpieces as National Cultural Treasures. In Masaganang Ani, Manansala chose themes celebrating th...