Venice - A Feast for the Eyes

One too many gondolas on a narrow canal spells traffic. This is the scene during the busy summer months. Trying to find a quiet corner can be challenging.

"But come back in November or December, February or March, when the fog, la nebbia, settles upon the city like a marvelous monster, and you will have little trouble believing that things can appear and disappear in this labyrinthine city, or that time here could easily slip in its sprockets and take you, willingly or unwillingly, back." Erica Jong, A City of Love and Death: Venice

Love is in the air. We congratulated the bride and groom of this wedding party whom we saw cruising the Venetian canals. On our way to Dorsoduro, we discovered these love locks on the Ponte dell'Accademia. Yes, love may be eternal but the lock is only good till it rusts. Good luck with that! Speaking of love, every year during the Festa della Sensa (Feast of the Ascension), Venice renews its wedding vows with the sea. These are the words the Mayor (formerly the Doge) recites during the ceremony: "We wed thee, sea, in the sign of the true and everlasting Lord." The Mayor then throws a ring into the Adriatic Sea. Venice is indeed for lovers!

Campanile of Santo Stefano

The leaning campanile of Santo Stefano, a wizened palazzo, a bonbon shop, a door handle, a lace curtain: these are tableaux I fondly associate with Venice.

An exquisite lace curtain drapes down the side of an old palazzo. Lace was one of the main handicrafts of Venice (along with glass), a once thriving industry on the island of Burano. Lace making a la Veneziana is sadly a dying art with the influx of machine made lace.

The Carnival of Venice originated in 1162 when Venice celebrated its victory against the Patriarch of Alquileia. It was then banned in 1797 during the reign of the Austrian monarch and was not resurrected until 1979, an absence of nearly two centuries. The mask is one of the main components of the Carnival and a competition is held towards the end of the festivities to find "la maschera piu bella", the most beautiful mask.

Colorful fruit-shaped marzipan cookies look as good as it taste. How Venice plays with our senses - an appetizing treat, a feast for the eyes, a musical note echoing along shaded canals, the scent of freshly baked bread in the early morning hours, a brush with Titian!

* * *

Images by Charie

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was

Filipino Struggles in History - Carlos Botong Francisco

In 1968, Antonio Villegas (then Mayor of Manila), commissioned Carlos "Botong" Francisco to paint the history of Manila for Manila City Hall. The series of large scale paintings was called Kasaysayan ng Maynila (History of Manila). The paintings deteriorated over time and no attempt was made to preserve these historical canvases until 2013 when Mayor Amado Lim sent them to the National Museum for extensive restoration. Four years later, in 2017, Mayor Joseph Ejercito Estrada and the Manila City Council signed an agreement with the National Museum to leave the paintings at the museum so they may reach a larger audience in exchange for museum grade reproductions to replace the originals. Kasaysayan ng Maynila was later renamed Filipino Struggles in History and is now on display at the Senate Hall of the National Museum . Carlos "Botong" Francisco died in March 1969, a few months after completing the paintings. He is one of the first Filipino modernists and

8 Heritage Houses of Iloilo

Lizares Mansion The province of Iloilo on the island of Panay has a rich trove of heritage houses, left over from the sugar industry boom in the 19th century. Iloilo also had the largest port in the Philippines at that time which facilitated the export of sugar to foreign shores and deposited money in the hands of the sugar barons. The barons dropped their earnings into the acquisition of properties in Negros and the construction of beautiful homes in Iloilo, many of which are located in the vicinity of the Jaro Cathedral. The Lizares Mansion was built in 1937 by Don Emiliano Lizares for his wife, Concepcion Gamboa and five children. The family fled to safety when World War II broke out and the house was occupied by the Japanese military. The family returned to the house after the war but left once again after the demise of Don Emiliano. It was sold to the Dominican order in the 1960s and was converted in 1978 to a private school, Angelicum School. The mansion now houses the

TravelswithCharie

Search This Blog