Skip to main content

Seoul Traditions

The Gyeongbokgung Palace complex covers a staggering 4.4 million square feet. There are over 330 hundred structures in the compound and to see everything properly will require at least a couple of visits. The National Folk Museum of Korea is also within the palace grounds and its displays of historical domestic and agricultural artifacts are worth a visit. 

Heungnyemun Gate is one of three entrances to Gyeongbok Palace. Gyeongbok was the main residence of the Joseon Dynasty from the 14th century until it was razed by fire in the 16th century and left abandoned for more than two and a half centuries. It was reconstructed in 1867 only to be demolished during the Japanese occupation and the Korean War. A 40-year restoration project of the palace was initiated in 1989 by the government. 

Geunjeongjeon is the Imperial Throne Room and one of a handful structures that survived from the 19th century. Geunjeongjeon means “diligence helps governance”. Behind the throne is a screen painted with the sun, the moon and a five-peaked mountain all of which represent “the king’s divine position in relation to the order of the universe”. Coronation ceremonies were held in this hall as well as meetings and receptions with foreign dignitaries.

The ceiling in the throne room is elaborately painted in bright colors.

Gyotaejeon Hall is the Queen’s living quarters. The king and queen had separate quarters within the palace complex.

Roof finials or japsang in the shape of animals are not merely decorative, they also serve to ward off evil spirits.

Alley between buildings in the Gyeongbokgung Palace complex.

The hanbok is the traditional Korean costume worn for festive and celebratory occasions. It dates back to the Joseon dynasty period, 1392-1910. It consists of a jeogori (blouse) and colorful chima (skirt). Your entrance fee to the palace is waived if you wear a hanbok. Seniors 65 and above also enter the palace for free.

Changing of the guard at Deoksugung Palace is a must see for the explosion of bright colors worn by the guards, the vibrant marching in front of the palace gate, the flag waving, the cast of characters and it’s all for free.

A typical hanok dwelling with wooden floors and an open plan allowing air to circulate, keeping the house cool during warm summer months.

Hanok interior with water jar and kitchen utensils.

Kitchen

Read about traditional Korean cuisine here:
https://www.travelswithcharie.com/2016/07/seoul-food.html

How to get to Gyeonbokgung:
Subway M or Subway Line 3, Gyeongbokgung exit 5 at Gyeongbokgung Station
Seoul City Tour Bus B

Deoksugung:
Subway Line 1 or 2, City Hall Station, Exit 1, 2 or 3.

*Seoul Traditions is a late post.

*****

Images by TravelswithCharie

Popular posts from this blog

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

Timbulan ng Laya at Diwang Dakila

Timbulan ng Laya at Diwang Dakila, Carlos Botong Francisco, 1968, oil on canvas In 1963,  Mayor Antonio Villegas wrote a report, Building a Better Manila, where he indicated in detail his accomplishments on his first year as Mayor of Manila and his vision for the future of the city. Villegas aspired for a prosperous Manila by providing its residents access to health, family and housing services, opportunities for education and employment and improved infrastructure for water and road systems. *Notice the hands at the top of the painting. These hands symbolize the protective reach of God over the city of Manila. Central Panel On either side of the seal of Manila are the former mayors of the city. At the bottom are the city’s old seals. Seal of Manila adopted in 1965 under Mayor Antonio Villegas Timbulan ng Laya (Beacon of Freedom) at Diwang Dakila (Noble Spirit) are written on the seal. A sunburst with 15 rays cast light across the canvas. Below the sun, in red, is the Baybayin let...

Masaganang Ani by Vicente Silva Manansala

Masaganang Ani (Bountiful Harvest), oil on canvas, 1962 The International Rice Institute of the Philippines (IRRI) was founded in the Philippines in 1960 by the Ford and Rockefeller foundations with the support of the Philippines government. The goal of IRRI is “to improve livelihoods, abolish poverty, hunger and malnutrition among those who depend on rice based agri-food systems”. Their headquarters is in Los Baños, Laguna. These two Manansala large scale paintings were commissioned by IRRI in 1962 to depict Filipino life, labor and leisure activities. The paintings were hung on the walls of the dining room and cafeteria  at its headquarters. These weren’t ideal places to hang the canvasses because the smoke from the kitchen and the cleaning solutions used by the staff threatened the paintings. They are now on loan to the National Museum of the Philippines which declared these two masterpieces as National Cultural Treasures. In Masaganang Ani, Manansala chose themes celebrating th...