Highlights of Puglia and Basilicata

Alberobello

The trulli of Alberobello are truly extraordinary. It's the main reason for my visit to Puglia.

Matera

Matera in Basilicata is one of the oldest continuously inhabited towns in the world. It is also known as La Citta Sotterranea (Underground City). It has been the setting for biblical films like The Passion of Christ and The Nativity Story and not surprisingly so. Walking around the sassi is like walking into a time machine and waking up in the first century A.D.

Basilica di San Nicola

Bari was my base of exploration for Puglia and Basilicata. Trains to all the places I wanted to explore departed from Bari several times a day. But Bari has also many attractions including the Basilica of San Nicola from the 12th century and is a place of pilgrimage for the relics of Saint Nicholas.

Ostuni

This white washed, hilltop village was a bit of a challenge to photograph in its entirety but many surprises are to be found within its walls, like the door above. Knock, knock.

Cala Porto, Polignano a Mare

Polignano a Mare is a beautiful town bordering the Adriatic. Its coastline with sea caves and coves are the stuff of Instagram. And the town itself is enchanting with its pretty courtyards.

I'll be writing in depth about each of these towns soon. Stay tuned, please.

*****

Images by TravelswithCharie

Brașov was once called Stalin City

White Tower Brașov is a city nestled in the Carpathian Mountains in Transylvania. Remnants of its medieval fortifications and bastions are added attractions to this buzzing city. The White Tower along with the Black Tower are two of the remaining watchtowers still visible today. During the Communist period, Brașov was called Orasul Stalin or Stalin City after the Soviet leader, Joseph Stalin. Black Church This is such a storied Gothic church which was originally the Catholic Church of St. Mary before it was converted to a Lutheran Church. It was believed to have been affected by fire in 1689 which blackened its exterior walls and roof. But a new 21st century study reveals that this wasn’t the case at all. The only reason for its blackened state according to the study is environmental pollution caused by the industrialization of Brasov in the 19th century. The walls have since been cleaned but there are traces of black spots on the roof. Republicii Street This long pede...

The Gold of Ancestors: Pre-Colonial Philippine Treasures

Openwork basket, Surigao, 10th-13th century What a wonderful surprise this exhibition is! These gold objects, about a thousand of them, add a rich layer to Philippine history. This collection which was found in various sites in the Philippines, date back to the 10th-13th centuries. It demonstrates the well developed culture of pre colonial Philippines which the Spaniard, Antonio Pigafetta, recorded in 1521 when Ferdinand Magellan landed in the islands. A thriving interchange between the Philippines and its Asian neighbors existed prior to the arrival of Magellan as attested by some of these gold accouterments which show for example, images from Hindu mythology. The motifs and curvilinear ornamentation of the openwork basket (shown above) intimate Chinese designs found in their ceramics and textiles. Torso ornament, 10th-13th century Weighing four kilos of gold, this sash is worn across the chest similar to the upavita (sacred thread) style in Hindu culture. This sash w...

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

TravelswithCharie

Search This Blog