Skip to main content

Favorite Eats in Oahu


I arrived in Honolulu late in the evening on Friday and all I could think of was saimin. From the airport my sister and a friend drove me to Zippy's where I satisfied my craving. It was as I remembered it. Slices of char siu, fish cake and green onions added a bit of flavor to plain noodles. After dinner I bought apple fritters from Zippy's own bakery.

I was in Honolulu for the weekend to close a chapter in my life. Famished after two and a half hours of hard work emptying my storage space of 20 years (!), sweating as if we've been soaking in a sauna, my sister, her friend and I found ourselves in a dive in Kalihi for some heavy duty lunch on Saturday afternoon. The crab wonton was a revelation. Inside the crisp wonton was crabmeat dipped in cream sauce.

After lunch we drove around the island, stopping to ring the bell for good luck and happiness at the Byodo-In Temple in Kaneohe. Continuing along Highway 83, we got out of the car to view Chinaman's Hat rising from Pacific waters and admired the beautifully carved walls of the Koolau Range. Then we treated ourselves to ice cream and mango smoothie in the North Shore.

On Sunday we met for a well deserved brunch at my favorite restaurant, Michel's at the Colony Surf. As we sat by the open window overlooking the beach, we helped ourselves to grilled salmon on a bed of almond rice pilaf and asparagus spears sprinkled with mango cubes over a thin but rich layer of sauce vierge. Lance chose the medium rare beef tenderloin and he couldn't stop extolling how "it melted like butter" in his palate. He was quiet for a while as he savored every bite of the exquisitely prepared steak served with Lyonnaise potatoes and portobello mushrooms.

I decided not to eat dessert although my guests shared a dark chocolate cake with compote of berries and vanilla ice cream. I had been dreaming of malasadas and wanted to save my appetite for that.

We drove to Leonard's on Kapahulu Avenue for their famous Portuguese pao doce. We bought some puff malasadas as well as a dozen of the plain version. I chose the haupia (coconut) filling, my sister had the custard and another friend wanted to try the pineapple filled malasada. We couldn't wait to eat the goodies which were still hot from the oven.

Later that evening, I would have gone to Keo's Thai Cuisine for dinner but we were pressed for time. We had to catch a flight back home so I'll have to return for the pad thai.

I must say that visiting Honolulu was a walk down memory lane happily sprinkled with visions of saimin, the incredible view from Michel's dining room and their 4 star cuisine, sugar coated malasadas and Kauai Kookies (to take home). That's my paradise!

Images by Rosario Charie Albar

* * *

www.michelshawaii.com

www.emerils.com/recipes/by_name/malasadas.html

Popular posts from this blog

The Art of Carlos Botong Francisco - Progress of Medicine in the Philippines

Pre-colonial period Pag-unlad ng Panggagamot sa Pilipinas (The Progress of Medicine in the Philippines) is a group of four large-scale paintings depicting healing practices in the Philippines from pre-colonial times to the modern period. Carlos Botong Francisco was commissioned in 1953 by  Dr. Agerico Sison who was then the director of Philippine General Hospital (PGH) together with   Dr. Eduardo Quisumbing of the National Museum, Dr. Florentino Herrera, Jr. and Dr. Constantino Manahan. These oil on canvas paintings measure 2.92 meters in height and 2.76 meters in width (9.71 ft x 8.92 ft) and were displayed at the main entrance hall of PGH for over five decades. Owing to its location, the artworks were in a state of "severe deterioration" at the beginning of the 21st century from exposure to heat, humidity, dirt, dust, smoke, insect stains, grime, termites and an oxidized synthetic resin used in an earlier restoration. These canvases were restored three times, the last was...

Timbulan ng Laya at Diwang Dakila

Timbulan ng Laya at Diwang Dakila, Carlos Botong Francisco, 1968, oil on canvas In 1963,  Mayor Antonio Villegas wrote a report, Building a Better Manila, where he indicated in detail his accomplishments on his first year as Mayor of Manila and his vision for the future of the city. Villegas aspired for a prosperous Manila by providing its residents access to health, family and housing services, opportunities for education and employment and improved infrastructure for water and road systems. *Notice the hands at the top of the painting. These hands symbolize the protective reach of God over the city of Manila. Central Panel On either side of the seal of Manila are the former mayors of the city. At the bottom are the city’s old seals. Seal of Manila adopted in 1965 under Mayor Antonio Villegas Timbulan ng Laya (Beacon of Freedom) at Diwang Dakila (Noble Spirit) are written on the seal. A sunburst with 15 rays cast light across the canvas. Below the sun, in red, is the Baybayin let...

Masaganang Ani by Vicente Silva Manansala

Masaganang Ani (Bountiful Harvest), oil on canvas, 1962 The International Rice Institute of the Philippines (IRRI) was founded in the Philippines in 1960 by the Ford and Rockefeller foundations with the support of the Philippines government. The goal of IRRI is “to improve livelihoods, abolish poverty, hunger and malnutrition among those who depend on rice based agri-food systems”. Their headquarters is in Los Baños, Laguna. These two Manansala large scale paintings were commissioned by IRRI in 1962 to depict Filipino life, labor and leisure activities. The paintings were hung on the walls of the dining room and cafeteria  at its headquarters. These weren’t ideal places to hang the canvasses because the smoke from the kitchen and the cleaning solutions used by the staff threatened the paintings. They are now on loan to the National Museum of the Philippines which declared these two masterpieces as National Cultural Treasures. In Masaganang Ani, Manansala chose themes celebrating th...